Mystic veritas psychic tarot december 2019
He was thereafter admitted to the District of Columbia bar and the Minnesota bar. He was one of the first law bloggers blawgers. BurtLaw's Daily Judge is not an online newspaper and is not affiliated with or intended to be mistaken for any existing or previously-existing newspaper or journal. Rather, this is a socalled "blawg," a law-related personal non-profit pro bono publico First-Amendment protected "web log" or "blog," one with a subjective, idiosyncratic, and eccentric sociological and social-psychological slant that focuses not on the latest judicial decisions of supposed great legal importance but on a the institution of judge in the United States and in other countries throughout the world, b the judicial office and role, c judicial personalities, d the great common law tradition of judging as practiced here and throughout the world, e judges as judges, f judges as ordinary people with the usual mix of virtues and flaws, etc.
He succinctly wrote:. The Daily Judge Judge with 'spirit pals' is dismissed. Examined by Court-appointed doctors, Floro admitted that he believed in 'psychic visions. He considered himself an 'angel of death' out to punish lawbreakers, especially corrupt court officials Comment by Burton Randall Hanson: It's good that The Apostle Paul, Martin Luther, and Abraham Lincoln, among others -- all people who at one time or another "suffered" from profoundly-spiritual crises, "hearing voices," etc.
It's good that a wonderful district court judge I knew back in didn't let too many people know he prayed to his "spirit pal" i. Floro had been sacked after announcing in open Court that he possessed the ability to see things in the future and the power to appear in two places at the same time.
And, perhaps what. Comments by Burton Randall Hanson: a It's good that The Apostle Paul, Martin Luther, and Abraham Lincoln, among others -all people who at one time or another "suffered" from profoundly-spiritual crises, "hearing voices," etc. He could play Judge Floro in a movie treatment of this case -- a sort of updated version of his role as Elwood P. Dowd in Harvey And I would add, other judges have given worse explanations or justifications for their rulings than Judge Floro gave.
The Reports are full of examples. Archives - South Dakota Politics K en Blanchard is a very prominent Few people have impacted the day-to-day management of people and companies more than Ken Blanchard. A gregarious, prominent and sought-after author, speaker, and business consultant, Ken is. A multitude of Fortune companies and fastgrowing entrepreneurial enterprises have benefited from his unique approach to managing and developing people. Ken's impact as a writer in the field of management has been especially far-reaching. The best-selling business book of all time, The One Minute Manager , has sold over nine million copies and has been translated into more than 25 languages.
Management of Organizational Behavior, the textbook Ken co-wrote with Dr. Paul Hersey, has become a classic and is now in its seventh edition. In Ken co-authored Exploring the World of Business, a college text that will be used in Introduction to Business courses all over the country. Blanchard is chairman of Blanchard Training and Development, Inc. He is also a visiting lecturer at Cornell University, where he is a Trustee Emeritus. Ken has been acknowledged for his outstanding speaking ability and contributions to the world of management and training. He has his own newsletter, Profiles of Success, and is a contributing editor to Executive Excellence newsletter and Positive Living magazine.
Blanchard earned his B. South Dakota Politics Mystic Dwarfs and Judicial Review - - - At last we have an explanation for one of the great mysteries of American constitutional law. From MSN. He told. The Supreme Court said it was not within its expertise to conclude that Floro was insane, but. Now consider the following language from Griswold v. Connecticut: Specific guarantees in the Bill of Rights have penumbras, formed by emanations from those guarantees that help give them life and substance. See Poe v. Ullman, U. Various guarantees create zones of privacy.
Life and Substance? For a long time I. Surely such terms can have no meaning in constitutional reasoning. Now the scales fall from my eyes. Justice Douglas was channeling for mystic dwarfs. Justices Armand, Luis, and Angel co-wrote the opinion. A Candidate For The Ninth Circus Court Rhymes with Right - May 3, This guys rulings would make as much sense as most anything that comes out of the Ninth Circuit, which is the most overturned appellate circuit in the country:. And if we count the dwarves, perhaps we could make Senators Boxer and Feinstein happy about the number of California judges on the court, provided Judge Florio and his companions decide to live in the land of fruits and nuts.
After all, sounds like they would fit right in. A judge in the Philippines who claimed he could see into the future and admitted consulting imaginary mystic dwarfs has asked for his Supreme Court job back after being sacked. This may be the kind of breakthrough in international law that our leftwing looney judges have been waiting for! Imagine the kind of decisions they could arrive at, if only they were allowed to read entrails and cast chicken bones. Maybe what this former judge needs to do is sit back and wait for an opening on the ninth circus court here in the US.
Then, instead of consulting. Alive On All Channels "Ministry is the profession of fools and clowns telling everyone who has ears to hear and eyes to see that life is not a problem to be solved, but a mystery to be entered into.
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A Dwarven Elemental Mage. Have you looked at all into the story that's on the wires of late regarding the Philippines judge who has "Mystic Dwarfs" advising him? Seems like it might lie on that patented Rigourous Intersection of the Government and the Weird. The Supreme Court said it sacked Judge Florentino Floro, who worked in the Manila suburb of Malabon, after psychiatric and psychological tests concluded he was not fit for the job. Floro, who told a courtroom that he has psychic visions, also claimed he can appear in two places at once and is able to inflict pain on corrupt officials using his paranormal powers, the Supreme Court said in a statement.
It said Floro admitted he believes in duwendes a Tagalog word that means mystic dwarfs and that he has a covenant with his dwarf friends Luis, Armand, and Angel. But What About Freedom of Religion? I know this took place in the Philippines but I just want to make a point. If our president and Supreme Court Justices can consult with and seek the advice of imaginary beings, why cant a judge in the Philippines? Delusion is delusion. Vaughn, New Orleans, of the Noumenal. Net is a tarot reader and collector who has designed several tarot decks of her own.
She is also interested in fractal art and you may be seeing some of her fractal Che has recently completed a selection of short stories centered around the apocalypse, and is presently working on a novella. The Angel of the Barrier; a trickster archetype that stands between this world and the otherworld.
The continuum that leads from the Chora, the seen, to the Hyche, the unseen; the world in the fullest sense, including the subtle influences that are often interpreted as paranormal or magick. Hychechora is Noumenal. Net's repository for articles, information and blogs pertaining to magick, divination and the paranormal.
Che Vaugh writes on Judge Floro and the 3 mystic dwarves. My thoughts on the matter. I share my home with a couple of spirits, some shadow people, some black blobs, one homunculus tulpa and a cat. I freely and publicly admit to practicing magick. Ive had clairvoyant experiences since I was five years old. I read tarot cards and have in the past practiced psychic healing.
I would like to think all this does not mean Im insane, but to be sure, there are psychiatrists who would likely think otherwise. After all, the term magical thinking is often used in the field of psychology to denote a symptom of a variety of mental illnesses. The field of psychiatry suffers from the same categorization and specialization that afflicts the rest of western medicine.
Dis-ease is viewed as a list of symptoms and the whole self of the patient is not taken into consideration. Because of this,. Being psychic does not mean you are insane. Of course, nor does being psychic mean youre not insane. In so-called enlightened societies which view such things with extreme skepticism, or in highly religious societies that view supernatural gifts as demonic, having psychic abilities can be very stressful.
Some psychics hide their secret forever, and go about a nice quiet normal life. Some psychics prefer to see their intuitive abilities as coming from outside them, from god or an angel, or the flying spaghetti monster. Some psychics become healers, teachers, gurus and helpers. Other use their abilities to take advantage of others and form cults. There is a myth popular among the fluffy new-age set that psychics are people who are vibrating at a higher and more compassionate level of consciousness.
Never has a bigger load of crap been uttered.
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Psychic ability is like other creative abilities, its like art or music - some people are born with a talent for it, other people develop the talent, but usually its a combination of the two. And just like musicians are no more wise or compassionate than everyone else, so psychics are no more wise and compassionate than anyone else. Ive known plenty of pissy artists and Ive known plenty of pissy psychics. Participation in any art, including the psychic art, has the potential to educate and enlighten the practitioner, but that doesnt mean it always does. I am in no position to ascertain whether Judge Floro is truly psychic, and in even less of a position to ascertain whether he is fit to perform his duties.
I do know that I would not want to find myself in his courtroom, not because of any claims to psychic ability, but because of the extremity of his spiritual and religious beliefs. A judge should, ideally, be objective, and Judge Floro claims that his beliefs do not effect his courtroom decisions. But here in the US, time and time again we see judges not only allowing their religious beliefs to effect their decisions, but actually being chosen because it is expected of them to allow their religious beliefs to effect their decisions.
Judges are no less human than the rest of us and all of us allow our beliefs to dictate our actions. I highly doubt Judge Floro is an exception. Judge Floro, like our own US president, claims that God put him into office. Such egotism - as we americans have seen - is a very dangerous thing for a person in power to have. People who believe their power is bestowed by God are far more likely to misuse that power, thinking themselves invulnerable to scrutiny, and to the checks and balances that should be a part of every system of power.
And I have to ask, if God really did want Judge Floro in office, then why did God not do more to prevent the judges removal from office? I also have to question the nature of any spirit guide who would inflict an innocent child with epilepsy as punishment for the alleged crimes of his mother.
This is not wisdom. This is not guidance. This is just nasty. But if, as Judge Floro claims, the guides were sent by the cruel. Of course, all of the above is just my personal opinion. Just because the judges beliefs differ from mine doesnt mean he should be dismissed from his job. Just because I wouldnt want to find myself in his courtroom doesnt mean others feel the same way. So the following questions should be asked: Did the other members of the court - lawyers, bailiffs, officers, transcriptionist - respect the judge and find his decisions fair and balanced?
Are the people of his jurisdiction satisfied with his performance as judge? The main consideration, religion, beliefs, psychic ability and eccentricities aside, should be this: Did he serve his community in a fair and admirable manner? Now it can be told The Poisoned Dwarf's relatives at Red Cell in the Philippines have been interfering with the course of justice! In his defence, he told investigators that "three mystic dwarfs Armand, Luis and Angel - helped him carry out healing sessions during breaks in his chambers. Rumors that Sir Gnomeship had got his Concorde out of mothballs have not been confirmed.
I wonder if WPP has an office in Manila? He wrote a monthly column for AdWeek publication, TechnologyMarketing for nine years. Paracelsus is considered the most original medical thinker of the 16th century, far ahead of other medical scientists of his time. As a medical reformer he criticized the medical practices of his contemporary doctors,. He pioneered in chemical pharmacology and therapeutics, and was the first to expose the errors of Galen.
But Paracelsus, despite his outstanding contributions to medical science, also believed in supernatural things, intuition and the invisible causes of illness. According to a pamphlet written by Manly Palmer Hall, Paracelsus "warned his contemporaries that to divide therapy from religion was a grave error in judgment. To him, the advancement of practical therapy depended upon a continuous exploration of the invisible side of nature, a search for causes and the realization that man was not simply a physical creature, but a living soul whose internal attitudes could profoundly affect his health.
His motto was "alterius non sit qui suus esse potest" which means "let no man belong to another that can belong to himself". Belief in the existence of elementals or nature spirits is of ancient origin and universal. One of the most original contributions of Paracelsus to human knowledge is his classification of the different types of elementals, which people are still using until now, adopting his descriptions of them. It is not certain where Paracelsus obtained his knowledge of elementals or nature spirits.
According to Hall, "He may have gained his information from the Arabs who had elaborate teachings about these invisible people. The doctrine of elementals from the point of view of Paracelsus begins with the following premise: "There are two kinds of flesh, the flesh derived from Adam and the flesh that is not from Adam. The flesh from Adam is coarse, earthly flesh that is tangible and can be held and tied. The flesh not from Adam is subtle and cannot be bound or held because it is not derived from earth.
The flesh from Adam cannot pass through solids. The flesh not from Adam passes through solid substances. They have flesh, blood, and bone. They speak and eat and drink; wander about and bear children. Yet they are not human, nor are they truly spirit. They are swift like spirits yet in many ways they resemble man. They partake of both spirit and matter, yet they are apart from both, being more like a conjunction of. According to Paracelsus, "Elementals are unlike pure spirits for they are mortal, but they are not like man for they have no soul.
They are higher than human beings in some respects because they resemble spirits, but are without moral nature because they have no soul. Christ died for man to save his soul. He did not die for the elementals because these creatures did not come from Adam. As man is made in the image of God, the elementals are made in the image of man. Air elementals are called sylphs or sylvestres. Fire elements are salamanders or vulcani. Water elements are nymphs or undines. Sirens are water elementals. Earth elementals are dwarves or gnomes. The elementals were created before humans.
Their line of evolution is from gnomes to angelic creatures, whereas the human's line of evolution is from animal nature to divinity. And there is a great variety in their forms, habitats, and characters. What is the purpose of their being? According to Paracelsus, they exist to guard and protect the treasures in their respective elements.
The gnomes and elves protect the treasures under the earth; the nymphs, the treasures of the seas; the sylphs, the treasures of the atmosphere; and the salamanders, the treasures in volcano and hot springs. This is why treasure hunting is seldom successful. A treasure hunter will never be able to get the treasures of the earth and water unless their elementals consent. Elementals also protect the environment and help in the balance of nature. They make the plants grow abundantly,. According to Paracelsus, "Nymphs appear in human form and clothing, are beautiful and eager to tempt by their art.
These are probably the engkantadas or enchanted beings in Philippine folklore and mythology. The forest people gnomes, kapres and dwendes are shy and unstable. The salamanders are often seen in fiery form. These are probably the Santelmo or St. Elmo's Fire. They are seen floating in swamps, meadows and fields, but do not dwell with man. No one could be safe from fire in their presence. Sometimes they are known to associate with sorcerers and witches. There are many stories, especially in the provinces, of engkantos and kapres marrying human beings and even having children by them.
Apparently, even the greatest 16th-century physician, Paracelsus, believed this was possible. According to him, one overwhelming desire of elementals, specially the nymphs and fairies, was to have an immortal soul and become human. This could only happen by marrying or cohabiting with a human being, so their children could have a soul. Says Paracelsus, "Since elementals resemble man except in one aspect, that they do not possess an immortal soul, it can be understood that if a nymph should appear to a man and he marries her, she can live with him and bear children.
Their children are endowed with a soul because one parent is from Adam, and therefore has received the gift of soul and immortality and became a human being by the sacrament of marriage and union with God and a man. If a man has a nymph for a wife, she must be kept away from water, or she may vanish: Nor must he offend her upon or near water. If they happen to be on a boat and he offends her, she will throw herself overboard and disappear. She might as well be dead for him. He never will see her again. Yet she is not dead, and he still is wedded to her. He cannot lawfully take another wife, for he is not divorced.
He is bound to her for eternity,. If the man should nevertheless take another wife, the nymph will kill him, which has happened many times. The Earth is not just for humans and animals By Ret. Arinday Jr. LET us take a break from the pestering political noises for a while. Do you recall the three dwarffriends of the cashiered regional trial court judge? Well, the story has not yet been closed as the judge, a believer of etheric worlds beyond the world we know, has filed a disbarment case against some of the leading lights of the High Tribunal. The action taken by dismissed Judge Florentino Floro of Malolos, Bulacan is unprecedented if we have to consider the significance of the true believers of the so-called New Age, where the three dwarves are considered as channelers who could relay information from realms beyond.
If we have to take the words of the New Age advocates, the channelers composed of diverse entities, among them the elementals purported to bring transcendental wisdom. Well, of course the channelees are condemned as charlatans flimflamming the gullible. And yet sometime in the last quarter of the 20th century, a serious study of the New Ageconsidered as the counterculture posts was conducted by the University of Chicagos National Opinion Research Center and the disquieting discovery was that almost one-third of the Americans believe in psychic phenomenon or experience.
Superstitious beliefs among our folks, either in the countryside or urban centers are prevalent. If we take into account the gods in Ancient Greece that they communed with mortals through oracles as time flowed with downstream, the conduits of channelers are no longer the sance rooms but conference halls and media facilities where some foresights are given or predicated drawn from trances of thoughts empirically-based. The transcendental philosophy of Immanuel Kant could reach unchartered shores of ideas if we have to consider the vagueness of his a priori principle, which is abhorred by other legal perspectives notably among the adherents of the positivists who advocate the pure theory of law.
Even the latter description could bring about an endless minding of the purity of the law, which through the needles eye could not yield the minute essence of lucidity. The nuances of sances or psychic phenomena or the use of the medium are totally absent from all legal perspectives. But stories about the transcendental wisdom about performances under spirit guidance have been reported. Richmond of United States, but were however criticized by famous novelist Henry James in his novel The Bostonians, discrediting spiritualisms relation to feminism.
If ever the case of the former judge Florentino Floro, which has circulated around the globe through various blogs and print media reaching as far as South Africa, it would be an interesting discourse on. Even imaginations were tabooed for centuries. Who would ever think that the imaginative minds of the cartoonists-creators of Flash Gordon and Buck Rogers exploring the space would come into reality? Who would also ever think that the lost continent of Atlantis was later discovered and photographic evidence were published?
In the case of the beleaguered judge and his three dwarffriends, are there decisions he rendered that he was out of sync? The great Harvard psychologist Henry James acknowledging that medium Leonora Piper was possessed with the power of telepathy and clairvoyance encouraged his colleagues into believing trance phenomena noting that some few individuals are media possessed of.
Scientists admit that there are unexplored realms within the human mind according to Henry James, and his interests in psychical research was frowned upon by his fellow intellectuals. But legal science is a thick-walled fortress that only the empirical truth is given the ultimate badge of the last resort.
And Judge Floros misadventure in the legal realm has merited a long long way for all those who share the beliefs that the Earth is not just for humans and animals. Established in Kansas City in , today the firm has grown to more than 1, employees worldwide, with attorneys and research analysts and paraprofessionals.
Many of the research analysts hold advanced degrees, in biochemistry, neuroscience, engineering, genetics and physiology. With 10 offices strategically located throughout the world, SHB serves a diversified client base with a wide range of practice groups. He graduated on J.
Georgetown University Law Center, , B. Judge Florentino Floro, who until recently presided over a jurisdiction in suburban Manila, was removed from the bench on "administrative grounds" because of prejudice against those who have the ability to see the future and conduct supernatural healing sessions in chambers. Judge Floro also apparently started each court day with a reading from the Book of Revelations, which is just the kind of thing you want to hear before trying to plead down a traffic ticket. Judge Floro also said he had made a covenant with "dwarf friends" -- who hasn't? The country's Supreme Court ruled that, assuming for the sake of argument that psychic phenomena did exist, they had "no place in a judiciary duty-bound to apply only positive law.
Judge's Mystic Dwarf Friends Identified I previously reported on Judge Florentino Floro, a judge in the Philippines who was removed from the bench recently for acts as innocuous as fortunetelling, faith healing in chambers, and beginning each court session with a cheery reading from the Book of Revelations. He also said he had made a covenant with "dwarf friends," but little was known about these friends until this week. Floro was back in the news because he is appealing the ruling by the country's Supreme Court removing him from office.
The grounds are discrimination against people who tell fortunes, heal people, read from Revelations and make covenants with mystic dwarfs. Also, he "criticized court procedure," probably the last straw. According to the court, it did not dismiss him for what he believed, it dismissed him for believing something that was nutty. A court-appointed expert found that Floro was suffering from psychosis and the court agreed, partly because of the above and also because of new revelations about the role of the "mystic dwarfs.
As many of you know, I have long had two primary goals for this enterprise: to provide some entertainment for myself and other attorneys and friends of attorneys slogging away at their various billing stations, and to be cited as authority in a brief filed with the Supreme Court of the Philippines. Today I can at least be sure that one of those goals has been met.
I mentioned in the "Lowering the Bar" presentation I did two weeks ago that I had heard from Judge Florentino Floro, who I had written about twice before. You may recall that Judge Floro was dismissed or "separated" from the bench in Malabon City, a suburb north of Manila, after questions arose about his practices of starting court days with a reading from the Book of Revelations, conducting faith-healing sessions in chambers, and consulting three "mystic dwarves" named Luis, Armand and Angel for advice and predictions of future events.
As Judge Floro was a judge that seemed to fall within the scope of this project and I did mention him a couple of times. Judge Floro emailed me and a number of others who had written about him a couple of weeks ago,. He noted that he was appealing his case, forwarded us some pleadings, and was kind enough to answer a few questions. Here's an edited summary of the answers:. LoTB: First, what is the difference between a separation and a dismissal? Is it possible you could be reinstated? If so, would you want to be a judge again?
Was it fun to be a judge? I believe that the laws are in my favor. But, I cannot tell you what will be their votes. I would want to be a judge [again]. It is not fun, since I am honest. But, my neighbor. This is not an exaggeration, since their staff and fixers do all the jobs.
Was this a mistranslation of dwende, the mischievous spirits. Are they truly of small stature? Did they help you with your opinions, and if so, do they have any legal training? JF: Answer: The names of my spirit guides are Luis, Armand and Angel; they are not the ordinary dwarves, gnomes, leprechauns, vulcans. Luis is the King of Kings of elementals, an angel of God; if you are a Christian, you can read this in genesis, etc. In Ireland - a Catholic country they can see dwarfs, but only the ordinary kind. Usually, they are of small stature, but they only appear to me in the form of lights.
LUIS is highly educated. LoTB: Third, you stated that you were the fifth-best psychic in the Philippines. Who do you think are the top four, and do any of them practice law?
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I specifically have the following gifts: cross of the tongue, lightning teeth, my eyes emit spiritual fires, and my hands emit extreme heat that heals the poorest of the poor with heat-processed coconut oil. All of us are psychics to a degree but very few can bend spoons. I was gifted with healing, bilocation, exorcism,etc. I graduated 2nd full honors and.
LoTB: Fourth, I am very interested to know what verse or verses of the Bible you selected to begin each court day. One report stated that at least on some days these verses were from the Book of Revelations. Is that true, and what are your favorite verses from that Book? JF: In , when I assumed office. I asked them to read the Book of revelations, because it is the hardest book but there it is, ALL. Also, the psalms, on curses on Gods punishment versus evil. The first one, of course, not the remake. Do you know or can you find out why those in Hollywood would not recognize an original idea these days if Pughe, King of the Dwendes, brought them one on a silver platter?
JF: I am sorry, I do not see movies, since I concentrate on horse racing, this is my life since , 3 times I tried to be a jockey, but I ended up to be a lawyer. I think I had seen the original one, many years ago, I cant remember. Contrary to the Decision and Reports, I am a horse athlete, ordinary poor man who just rents a house, and I have no car.
I live a very simple and financially poor life. I want to buy a horse and to ride, its great fun. Sincerely, Judge Floro. Judge Floro and I have corresponded a few times now and he seems to be a very pleasant man who is certainly convinced of the justice of his cause. Judge Floro, please let me know if I've misstated anything in this report. With his permission, I did talk about him and his case at the presentation a. I think it is fair to say that people were quite interested in the matter, although there is probably not much we can do from halfway around the world.
Or at least that's what I thought. In a third supplemental pleading that Judge Floro forwarded me last night, I was a little surprised, but proud, to see that he had cited me as one of a number of worldwide authorities on his case. The pleading starts by reprinting most of an article on the case by Justice William Bedsworth, an associate justice in California's 4th District Court of Appeals, who has his own blog and who frequently publishes articles in the legal papers here as well.
Judge Floro also cites among others another California attorney, Lester Hardy; David Pannick, a British attorney; Ken Blanchard, a management and business writer The One Minute Manager ; a French blogger; and Che Vaughn, a tarot reader and clairvoyant who shares her home with "a couple of spirits, some shadow people, some black blobs, one homunculus and a cat. The posts are accurately quoted, I'm pretty sure, and the biographical information on me from our firm's website looks right too -- I have to admit, though, that Judge Floro embellished a bit by describing me as a "celebrated" San Francisco lawyer.
My dog is generally excited to see me, but that's about the only celebration I generate. Judge Floro is asking for reinstatement and about four years' worth of back wages. As best I can tell from the pleadings, his argument is more or less that he should not have been separated from the bench just because of his beliefs, so long as he served his country and Malabon City in a fair and honorable manner. That's a fair point -- who would you rather have as a judge: somebody who takes bribes; or an honest guy who happens to have lightning teeth and well-educated spirit friends but can pass the.
I know my answer. I have to say though, Judge Floro, I don't know that citing the world's blog posts will add anything to to the heartfelt and very, very lengthy briefing you've already presented to the court. And you should always be careful when using sarcasm in pleadings, especially somebody else's. Also, I think a lot of practicing lawyers would suggest that there is life outside the law, and so maybe this is a good time to follow your dream of being more involved with the horses or the world of horse racing.
Having said that, I wish you luck in whatever you decide to do. Dwarves of Law HYDE, in her Cabinet of Wonders wrote: Cry havoc and release the Dwarves of Law famous Filipino playwright William Shakespeare We seem to be seeing a few evil goblin stories so it is good to see their brethrens are working on the side of good: A Philippine judge who claimed he could see into the future and admitted consulting imaginary mystic dwarfs has asked for his job back after being fired by the country's Supreme Court.
He told investigators that three mystic dwarfs -- Armand, Luis and Angel -- helped him carry out healing sessions during breaks in his chambers. The Supreme Court said it was not within its expertise to conclude that Floro was insane, but agreed with the court clinic's finding that he was suffering from psychosis.
Comments Prove there were no dwarves. I have a whole theory that racks upside intelligent design based on the theory that purple elves are responsible for light- matter-quantum interactions, and blue ogres responsible for gravitic, newtonian and relativistic interactions. They're invisible, and we've not built elf and ogre detectors. The theory matches all the observable universe. I do want to see this published in "Nuclear instruments and methods in physics. Research section A: Accelerators, spectrometers, detectors and associated equipment" asap!!
Comments 3. At randi. Says Sean: He wasn't in communication with mystical dwarves, he was communing with vampires. Look at the names of the dwarfs. Both Armand and Louis are vampires from Anne Rice's popular series of vampire novels, and Angel is yet another vampire, this time a character from the Buffy television series. Why are fictional vampires meddling in the Filipino legal system? Good question, Sean!
Dwarves of Law revisited Sunday, June 4. Now, Damn Data can bring you the other side of the story. We emailed Judge Floro to ask him a few questions about his case and the following transcript has been edited for clarity and some spelling only. You can. Damn Data- You have been contacted by LUIS king of kings elementals - when did this happen and how did it manifest itself? Until I went to treasure hunting, so I asked my brother Robert, and he promised me that Luis would make his presence felt. I was predestined by him, LUIS to be his instrument against evil they could not choose any, since these spirits are ordered from above, to guide the chosen one, me - hence, if I could do good, like healing the poorest of the poor and inflict illness upon the corrupt only.
To mend ways and repent via illness, then their power against Satan and the black ones, would be increased by God. So, I began to see LUIS' violet lights and white lights in erratic times, no pattern, sometimes once a week at nights, and at daytime, the violets -- these are flashes, thousandth of a second; light travels , miles per second, then, if it travels million times then there would no more distinction between time.
I was tasked to be a judge by them, on my birthday I applied, Nov. My duty is to clean the judiciary and other government offices here of corruption and evil, via sicknesses.
THE HISTORY OF PSYCHICS
Tesie Sison suffered a stroke and she falsified my I. Nazario fought for me but she lost because a Justice was operated on who had suffered spinal cord problems, blaming me. LUIS is "nakalakip" Tagolog Philippine term, meaning, since he made a covenant that he would not leave me and would be with me spiritually for all moments provided I would not persecute the poor.
I see his violet and white lights maybe 20 times a month, no pattern when. Enjoy the weekend And if you need some insight please DM me for a reading during this sale!! Big Sale Announcement Tomorrow! Buy one, get one free reading sale! I will use a combo of Tarot and Oracle cards to tell you the wisdom.
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You can buy all versions for your devices here. Limited time ONLY! It all becomes a little more porous. JV: So maybe we jump forward to , and the artist has ceased to exist, but something called a very creative, networked individual exists, who might be a designer, who also steps into an art school to teach one class, and is also working in some kind of urban planning context.
Kim Nguyen: But who could, with quality, effort and care, contribute to that many disciplines? James Voorhies: Maybe we could start off with our ownership of various themes and how they connect to others. Does an institution of the future begin to operate a little like a gallery, committed to a specific number of artists? Of course, that would mean fewer artists or creative producers are supported by that one institution, but that it is also supporting them more sustainably. Designers, this is a generalisation, but they expect to be paid.
SJ: I guess some designers get signature status, but a lot of design jobs are for hire as opposed to for signature. If you invest more in your faculty, you invest in fewer people. I see a profoundly different culture around art making and the role of the artist today, versus what I perceive it to be before the money came in.
Shannon Jackson: I was thinking that too, throughout the weekend. Brian Conley: One thought is about embracing corruption, not as some kind of foreign being one has to go to battle with, but as a kind of necessary component of the imperfection of life itself. And then the other is that, even if you have these corrupt forces, or institutions that are part of the art world, there are things like what Fritz is doing, people who are attempting to provide another platform, and gatherings like this that try to create new forms of art and relationships with institutions.
But the very attempt is symbolically important. I think those collective spaces often create the very forces they might be working against. How does that affect the artist? Maybe an artist [of the future] is no longer somebody who occupies space. SJ: What if artist training included some things in the future, like basic real estate management KN: Oh God! Careful what you wish for. James Voorhies jamesvoorhies cca. But the project only began to resolve itself when he returned to Wales. Rhiannon Lowe spoke to him, just after his show opened at National Portrait Gallery. Given that research projects evolve quite quickly, is that description still valid?
I was doing little drawings, and I was excited, thinking this was it. There were moments I caught, luck really; some of them work. Later, the work became about these minor sensations, minor moments. If I have confetti on the floor in front of the work, that comes out of a knowledge of portrait painting, not installation art. What happened when you got home? CW: I got George and Mabli to come over to mine in the morning, with hangovers, after going clubbing in Cardiff.
I could walk away from the club, try and deconstruct what I was looking for, all the sensations I was trying to convey, portray, and reconstruct them in the studio. I would go to the corners of clubs and pick up old left behind things — bits of clothing, paper, confetti. I tried to keep everything from when I went to Berlin and Majorca, all the tickets, papers I found. These drawings are ones by other people; when I was drawing in one of the bars, others joined in as well. Anyway, I tried to be a voyeur, tried being a documentary maker, I tried being in it and dancing; but actually, to convey the kind of things I was thinking about, I had to take a step away, and abstract it.
Not blurring, or making it harder to see, I mean thinking about it as an idea, and then change that idea. I wanted to make it unreal as well, make it a cleaner version of the club; I mean more Rhiannon Lowe: Tell me about when you went clubbing. CW: I went to Leipzig and Berlin with my girlfriend and some mates, started drawing in the bars and nightclubs. I took these photos in Berlin — see those two going at it in one of the bars?
Not sure if anyone was aware. But I felt like a voyeur. We tried the same in Palma as well, and in Magaluf. RL: So you posed sitters in the front room downstairs, at home? CW: Or in the studio, or the kitchen. And he was great. He danced for an hour, in the studio. We tried lots of different lights, angles. Here are his photographs.
He had a jumper on at first. I was trying to recreate the club in another place. And then I worked from the photos. Yeah, these were quite intense environments, and they come across as I decided all I can do is try and distil something, and then it becomes something else. RL: Why confetti? I was using them for when I had people back in the studio dancing, to photograph them, and I was thinking about making fictitious. So, for me, it was creating this sleight of hand. In that painting of Emma, some of the diamond shapes — which are the same size as the cut confetti on the floor, same.
I asked for stripes, because the movement in them created an interest. In some of the work, the stripes may be more interesting than the faces. RL: Because of the shift in surface? CW: I think so. While I was in Berlin, I was looking at gesture, mark-making of classical works — masters,. If you look at a Rembrandt by candlelight, it looks like a person; it looks different in contemporary lighting. There are his famous Camden murderer paintings,. So, you have this beat or rhythm, that is the diamonds, then you have these gestural marks that are kind of translucent; they suggest form.
Those sensations, those fleeting moments, where things come into focus, go out of focus. The painting of Dan there looks like it could break down to nothing. RL: The way makeup can skid across a surface in a very similar way. CW: Definitely. None of them rely on a black; the contrast is not turned down. And even the darkest mark on each is cut through with the reflective zinc or steel surface below.
The ones that are the most successful are, in fact, the lightest, like the two with the diamonds on. Maybe not. At the start, the characters are posed in front of a backdrop that you can see the edges of and behind it; and the actors are just The drop, it becomes more important than the sitter. That person, who it was named after, maybe never saw it, wore it, or stood in front of it, but the material becomes this thing that could then have something happen in front of it.
So, I used it as a kind of distancing tool, a shorthand to question — like a photographer knows how to use depth of field, or Vaseline. I mean, a lot of fine artists, who take themselves very seriously, their. What I hope I am making are these beautiful moments, which can take place in dark, sweaty, questionable, even seedy places, sometimes sober, sometimes intoxicated. These places are where the real world is happening, in pubs and clubs, despite Tinder and Grindr and all that.
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RL: You had some earlier works with sitters wearing the same print. CW: I had the sitters in stress positions, and worked from images, appearing in the media at the time, of the detainees in Abu Graib, dressed in sheets. RL: Also, last night, the audience and venue, it created a particular vibe. CW: Yeah, I think if it had been somewhere else other than Chapter, and maybe there had been a different set of people there, it might have been a proper dance party. If it had been in the museum, however, it would have been observational.
It sort of split between the two. RL: You mentioned one of your sitters, Gareth [Chambers, featured elsewhere in this issue]. There was that point when two of the dancers were dancing against the wall, leaning with their hands up, backs towards us, I thought, this is it, I could watch a video of this, it would have been good video art. It speaks of outer body, ecstasy, 'what the fuck are we doing? They just are vital. The portraits that I think are the more successful are where there is more to it than just paint.
With this project I set myself up for something very difficult, and I have made some of my worst portraits; but they touch upon some of the things I want them to. It feels like a first step, not the last. I could make better paintings that could convey these things more clearly. RL: Is this work going against what you did after college, and then for a living for years? When I look at an old master, I sort of trace the mark, say, of a hand, I can try and see how something is done.
I think that when I see the people who are liking them on social media, they know these feelings, the work speaks of something. These are not studious portraits, not like the winner of the main award this time. RL: You still class yourself as a painter? I have to be careful now to make sure I am honing a discipline that I am actually proud of.
I can see the issues with it; but this is the result of a period of research. RL: What conversations did you have with the curators at the National Portrait Gallery about your pushing the idea of what a portrait is? I do think that some of the faces in this show are the first, and maybe the last time that these sorts of faces will be shown there, for a while anyway.
The next Travel Award is going to someone who painted a homeless person. It stood out, you know. A lot of the paintings at the Portrait Gallery are there to show the sitter. And this last iteration, in no way do I think it is the perfect one, or the final. RL: Are you going to keep making paintings like these then? Using traditional Chinese ink painting techniques in a less than traditional, highly physical manner, Yahon commits body and soul to painting.
Here the artist tells CCQ about his work drive and motivation. As a student, I never did well academically, but I could paint and draw. I got into art school in Taiwan to study interior design, lighting design and architecture.
When I finished college, I started a construction company. I felt this heavy, heavy grief. I stopped work immediately and went abroad for a while, and I started painting. When I first painted, I did not stop for three days and nights. So, ever since then, for the last 30 years, I have not stopped painting. I have to paint every day, for at least three hours, otherwise I will get sick again. Painting is like exercise to me, I sweat a lot, and I cry too I need to change my shirt at least every 30 minutes! I have a wooden chair and a wooden bed in my studio, so I can take a nap if I need to.
Not so long ago, I was a devoted Buddhist, I almost became a monk. But, in , my wife passed away. The Buddhist monks could not give me the support that I needed at the time, when I was at my very lowest. Around then, I walked by a church; I went in, on my cont. Hope and light comforted my heart, so I went back there every week for 10 years, just to listen. I have some Christian friends, who comforted and supported my children and me, when we were grieving and in so much pain. Eventually we converted to Christianity because of the care that we got from them. Any time I feel grief, my faith allows me to refocus and make better decisions in every area of my life.
As I sit quietly in my studio, I calm down, the spirit of God fills me and I receive inspiration; I know what to paint. I own a tea place, a cafe, in Taiwan. I grew up in a family where there has long been a tradition of enjoying tea. I am making my own tea now, and my tea place has become a tourist destination in its own right. My work, which is shown at museums and major biennials around the world, seems to touch others; this has come of something of a surprise to me.
When I came to Palermo, three weeks ago, to make the work for my Manifesta presentation, I noticed there are many different ethnicities living side by side quite happily, and people here have generally been very friendly. I also noticed there are serious immigration and refugee issues; these are groups of people that need much more attention from us. I painted a picture of refugees on a boat, floating on the ocean, when I got here. The faces that I paint are faces of abandonment.
Some of the faces are reflections of the unhappy people I see in business and politics, people obsessively competing with one another. I paint them with unhappy animal faces, turning them into dogs, monkeys and cats. No Hierarchy Here Brussels is succeeding, where other cities have failed, in creating an art scene that goes some way towards integrating commercial galleries and collectors with artist-run spaces and institutions.
Ric Bower: What do you need in a city to maintain an art fair? Anne Vierstraete: In , when the fair was started off by 11 galleries, it was because there was no contemporary art museum and no modern art museum in Brussels, and they wanted to fill the vacuum. Over the years, the vacuum forced a certain creativity and necessitated the taking of initiatives, not only by the fair but also by collectors, galleries and artists themselves.
The result is that Brussels is not institutionalised when it comes to art. There is no hierarchy; young artists can mix freely with established practices and galleries. Also, Brussels is quite small, and most art activity is concentrated in certain areas where it is cheaper; so, artists, curators, gallerists, etc network spontaneously. It just happens. AV: We are a fair, and work with the fair model. This brings challenges, firstly to be the promotion and selling platform, which the galleries that show here expect us to be — to connect artists, galleries, curators and, of course, collectors — and secondly, to establish an identity of our own.
We started the Discovery section in , with 10 galleries, today there are more than So we also have six or seven artistic projects, plus a discursive programme. We look at the art and we look at the projects and we just go for it. RB: So, once bureaucracies and institutions have slowed everything to a crawl, what do you do to get rid of them; what advice would you have? AV: They are, of course, also very useful, because if you look at other capital cities, like Paris or London, there is a lot going on because of these big institutions, and they are attracting all kinds of tourism.
RB: How do you view the fair in relation to its bigger brothers and sisters — Art Basel and Frieze say? AV: It is something that positions our identity. To be honest, this year we said we would do no projects, we had no budget. We decided we should commission a film, and the result was Crossed Wires by Philippine Hoegen.
We gave her an open brief to consider in what context the fair was established, its context today, what nourishes the fair and what the fair gives back. AV: Yes, of course. RB: I was chatting with an emerging gallerist, who has started to show at fairs in the last year or so. She was saying that they have a huge problem balancing a show that satisfies their artistic sensibilities with one that sells well enough for them not to go bankrupt.
They work with. Diatoms are microscopic single-cell algae, featuring hundreds of thousands of varieties of unique ornamental forms. They were often referred to as 'jewels of the sea', and collected alongside other miniature curiosities. Today, they are used as templates for developing new types of solar cells. Fascinated by complex phenomena, Vanden Eynde reflects on the properties of diatoms and their use through history — from the curiosity of collectors and the interest of science to the current raw material for nanotechnology — the new power to come.
How can you see the hegemony of the bigger galleries being broken and how could the fair help in that process? RB: …but how do we make it more sustainable, because if we lose the smaller galleries then we lose the entry point AV: …You need to have means as a gallerist there is no avoiding this fact : to be able to promote your artists; to travel to find new ones; to meet collectors and curators; to accompany the work that is shown abroad; to organise events in your own gallery; to participate in art fairs, and to hire staff.
No artist will stay in a gallery that just exists within its own city and with the collectors there. The whole world has become globalised, and the art world with it. The only way we. RB: Daniel Lie, the Brazilian artist, said recently that as an artist you are either a vagabond, or a superstar The thing I hear a lot from galleries, is there is a sense of entitlement amongst young artists, they have the feeling that galleries should be there at their beck and call.
There are quite a few artists that look at galleries and the whole system, and who try to find their way through artist-run spaces. I always advise artists to find a gallery, someone who will accompany them on their journey in a meaningful way. We asked them to create artistic menus, so you can ask for something off the menu, and the artist comes to perform something for you.
And this year we have been working around themes related to the iconic Mystic Lamb painting. It resulted in the exhibition Mystic Properties, curated by Elena Sorokina. Before proposing a toast, each artist was invited to respond, in turn, to a provocation from Fagot Koroviev. The idea of a symposium has, in recent centuries, become synonymous with measured and objective, academic exchange, usually within the safety of an institutional space.
But, for the ancients, a symposium was more of a happening, a quest for truth — veritas — lubricated with wine and presided over by a symposiarch. Vodka shots, in place of wine, were liberally administered to the participants to facilitate the disclosure of aletheia; the collaborators sought a spirit of clarity in an arena of curated and subjective complexity.
Fagot Koroviev: Thank you Marco, how delightfully quaint. There are many structural aspects that it shares in common with a family of buildings —. James Beckett b. An archival photo shows a flank of the remaining building, amid a haze of smoke and debris, the morning after attempts to douse the fire failed.
Beckett recreates this moment in the form of a large sculpture, a smoldering wreck — part horror house, part memorial. Crystal Palace in London for instance — then there were similar buildings in Madrid, Paris, Munich and Amsterdam; they were all architectural display cases for hosting exhibitions. The one in Munich was an exhibition hall, influenced by botanical architecture. They were built with a mix of materials, to begin with they were meant to be purist — made with just iron and glass — but then there was the wooden floor and panels and the fabric.
They were designed to burn, in a way. Are they symbols of our own homogenisation as human beings? James Beckett: We work very hard as artists and we are away from our homes and our families a lot. One leads to the next… A healthy complexity. Taus Makhacheva b. Working primarily with video, Makhacheva often turns her attention to the traditions of her multi-ethnic origin before Sovietisation.
The installation is comprised of numerous small travelling speakers of all different brands and shapes. From each speaker a different first line of an email is heard. Stine Marie Jacobsen: Trying to free language, as well as architecture, from grammar and from national control is important. We need to make space for the rambling and for gibberish. Taus Makhacheva: With respect to speakers, I have no idea what you are on about, but there is something in what you say in relation to the words we all use and what they mean.
In an apology, for example, the words themselves are generic; difference and meaning, within a particular statement, are expressed though nuance. But, as you listen more closely to the emails being read, you pick out things; my first email to Katerina Gregos, chief curator at RIBOCA , with all its apologies, is a big part of the piece…. It was interesting having the fire safety officer come on the first day to check it out. Normally you propose a project in architecture with a scale model, say This work is after the fact though, unlike a maquette, which is a proposal.
And, as we become increasingly digitised, so our failure becomes more evident. But perhaps we should just kill the people who are fast enough. Fagot Koroviev: No one apologises to me for replying to an email late… but then I am not the head of an institution! Fagot Koroviev: So who should we begin by killing?
Fagot Koroviev: Will you kill them for me Taus? Taus Makhacheva: I am not naming names Fagot Koroviev Jevgeni Zolotko: Too little, too late, my friend. I think a lot of what we are actually seeking today is socialised meaning. My life will be meaningful if Productive melancholy as an idea, as a necessary transitional phase, how significant is this to you, and how does it translate into beautiful, delicate works on paper?
One of the standard excises was, 'your email was trapped in my spam'. Teemu Korpela b. For this installation, the semiotic starting point was the floral collection that they used to have here. There is so much that we, as humans, have tried to collect and study, to bring together, but it never seems to be enough. The starting point for the work is a realisation that all the knowledge we have, about the sensitivity of the natural structures, does not seem to be able to save us. It was empty apart from one animal trailer, a multi-layered one. I heard noises coming from it, animal noises; the animals were staying for the night on their own, without the front end of the truck.
I wandered on to my own dormitory building, which was situated just beyond it. Fagot Koroviev: The philosopher Theodor Adorno, broadly speaking, claimed that good art should make you unhappy, would you agree with this? Petri Saarikko: I agree! Perhaps art, and all us artists with it, should be cast out of our comfortable spaces!
Petri Saarikko: Teemu and I were looking in the archives here, and we found these plants, which were stored, squeezed between pieces of paper, with their imprints on the paper surface. It is as though the plants have been sleeping. Some of them are still green, even though they had been there since the s. We were touching something that had been dead for years, but somehow it still seemed to be alive. Teemu Korpela: The work that I do is often about understanding that unhappiness. It makes me do what I do and it's why I am an artist.
Jevgeni Zolotko: So we are all running around to get happiness, but does Adorno define what happiness, and therefore what unhappiness, is? Jevgeni Zolotko: I thought that the work had been done by a woman, actually. Fagot Koroviev: I think dissatisfaction is a better term than unhappiness. As artists, we are contributing to that general dissatisfaction, that movable horizon. Because we are offering a glimpse of an alternative reality, how things could be better. Fagot Koroviev: Teemu, what would you like to raise a toast to? Jevgeni Zolotko: Of course.
When I make a work, I fail all the time; the horizon moves and I get it wrong. All: To save humanity… Kippis! Fagot Koroviev: So, Jevgeni, your work, Sacrifice, is situated in an isolated part of the docks, an old animal trailer with these strange and violent noises coming from it. I understand you are keen that your work should hook into the limbic system, the collection of structures deep in the brain which, amongst other things, play an important role in the construction of memory and in our emotions.
Fagot Koroviev: So, how would you distinguish an artwork from, say, a human rights campaign? Marco Montiel-Soto: I work as an anthropologist on expeditions, I do not work directly with politics, and I would regard a human rights campaign as being political. Venezuela is very different from how it appears in the newspapers. I am an artist, not an activist. Jevgeni Zolotko b. His installations delve into our shared suppressed consciousness. His presentation at RIBOCA consists of a trailer, formerly used for the transportation of cattle, standing alone in the middle of an empty field; primordial and violent noises emanate from the lonely construction.
I have absolutely no idea what he meant. Fagot Koroviev: Ok, so what about horror, do you watch horror films? Sacrifice would seem to fit within that genre. Jevgeni Zolotko: No. I watched a small bit of one film when I was nine, and never again. No, the ideas behind this work come from a very different place. I got to know the stories of everyone there. One evening, I walked back late to the dormitory, past. Teemu Korpela: We are constantly bombarded by these alienating simulacra, which are so much more than the sum of the realities of what we experience.
We try to live out our lives virtually. I suggest that we get hold of a psychic and call up Adorno, because I think that he meant that good art moves you. We need to double check with him. Jevgeni Zolotko: OK, I know this thought is vodka-fuelled, but I would like to raise a glass to the human condition, and that someone will get what we do as artists. All: To someone getting us How do you, as a straight talking artist, function in an artworld that is so fucked up.
Marco Montiel-Soto b. The installation is enriched by a plethora of visual stimuli including: videos; photographs; maps; nets, pictures of saints; coconuts and fish. The palafito represents a typical construction of the surviving villages of Lake Maracaibo. I want to travel, I like to meet people like you, people who are fucked up. Marco Montiel-Soto: I travel geographically and I travel in time as well. I look into histories of people and how they have come to be where they are.
When the first Spanish came to Venezuela, and they saw people living on Lake Maracaibo in houses, they thought it looked like Venice, so they called it 'Little Venice', Venezuela. The Germans did not find El Dorado, of course, so they left and the Spanish returned. We are in the Third World now, in Venezuela, everything has been taken: the gold, the oil; I am showing people what is left.
I go to Africa and make pictures of dying children, then come back to Europe and put them in an exhibition. Teemu Korpela: The work is there to expose what we are… Ok… So this was not as profound as I thought it was going to be. Fagot Koroviev: No, I get you Marco is presenting an alternative reality and, by looking at it, we are actually revealing who we are? My surname is the same as that of many people in these villages, I speak the dialect of the region; if a German or French artist went to work in El Congo, the village I am focusing on in this presentation, it might be different.
The village is going to disappear. What I did was try to preserve what was happening. Fagot Koroviev: Everyone, do you all have vodka? Fagot Koroviev: And Marco, your toast is? Marco Montiel-Soto: If we are going to do something with our hearts, it is best not to have a heart attack. All: To a heart attack, Salud! Stine Marie Jacobsen is a conceptual artist and educator living in Berlin and Copenhagen, working to decode violence and law through participatory means.
With a focus on film, language, gender, violence and psychology, she conducts performative experiments and creates participatory projects worldwide for critical thinking and new ways of looking at ethics, identity, control, fear and trust. This is sensitive territory, because of the prior Russian occupation; Russia has eradicated Latvia three times. And, right now, some political parties are wanting to close the Russian schools in Latvia. Educational material is currently 60 per cent Latvian, and will go up to 80 per cent. I wanted to try and liberate language from this arena of political control and the cultural suffering it induces.
Stine Marie Jacobsen: I think national languages are very closely linked to politics within a country… We all know that, in many countries, people can get permissions to stay depending on their passport status but, in a lot of places, language can be the passport to stay somewhere. Right now there are , Russians in Latvia without citizenship, many of the Russians who do have a Latvian citizenship, have had to take a Latvian language test. So, language is directly linked to nation states. Language has been kidnapped.
Fagot Koroviev: How is violence integrated into how we speak? I work with children and I am particularly. They started to find another language, like Pidgin. James Beckett: What is your background Stine? Pidgin was a simpler hybrid of the colonial languages. Fagot Koroviev: The dialogues between the non-overlapping magisteria of art and science have, in recent European history at least, been rare. But you are freely moving between the two. Is that a lonely place to be? I work with big teams, — cinematographers, politicians, teachers…. Stine Marie Jacobsen: So, like the word cookbook, would be written 'cukbuk'.
Nigeria just accepted Pidgin Tongue as an official language James Beckett Stine Marie Jacobsen: They know about use of language. So I get my money from the world of social science and then I negotiate a project within the art world. I work with a lot of participants. I want to be politically satirical, but I end up having to adhere to a code of ethical correctness, and that. Teemu Korpela: Do you have any philosophers of language you look to? Wittgenstein comes to mind. Stine Marie Jacobsen: My practice is, to a large extent, based in practical social work, in the empirical rather than the theoretical.
The more that becomes patented, the more it becomes regulated, and so it becomes commercialised. The remedies that we have collected are a demonstration against this whole notion of commercialisation. This is happening systematically in many areas, especially in arts and humanities; lots of theoretical thinking became a tool for technocratic change.
I think that tradition can have really nasty connotations with nationalism. Fagot Koroviev: Stine, can you do the toast? Petri Saarikko: Of course, but when Jung and Freud were discussing sociological archetypes, they were suggesting something else. We want to know how far can we go… I think Tino Sehgal went some way towards this, but not far enough.
Stine Marie Jacobsen: European governments should admit that they are censoring their people. What does tradition mean, as you are framing it, in relation to our contemporary experience? Petri Saarikko: Can we acknowledge the contribution of the cat that lives here in this space, and the birds that have been singing to us? They have been working and exhibiting both collaboratively and individually around the world since early In they initiated an independent art space, Kallio Kunsthalle, based in Helsinki, and in in Wellington, Aotearoa New Zealand.
The project explores methods of self-help and medical healing in different geographical and cultural contexts. Remedies has taken different form of expression, such as live performance and video in Sweden, New Zealand, Australia, Haiti, Russia, Germany, Tasmania and now in Latvia.